Last weekend we tasted quite a wide range of musical genres – after a quiet patch through jan & feb it was quite a bit to take in at once.

Starting on Friday night after suffereing horrendous disco battling my way to fourth place in my office bowling night, we crammed into the basement of the Liquid Ship to catch a chaotic, late but ultimately entertaining set from Claire’s friend’s band the State Broacasters. Their fun filled songs of lust & love kept us entertained till close.

On Saturday we shifted to a more formal gear and took in the new production from Scottish Opera: 5:15. The premise of five fifteen minute pieces that were collaboration between Scottish composers and writers sounded interesting, however the results were uneven at best.
Craig Armstrong with Ian Rankin was easily the most polished performance, although quite traditional. The Queens of Govan by Suhayl Saadi, composed by Nigel Osborne & Wajahat Khan contained the most interesting ideas and conceptual approach however was let down by attempting to sing opera in Scots! The other three performances were perfectly competent but didn’t seem to push any boundaries – one suspects that opera is best left to the professionals. Alexander McCall Smith’s Dream Angus was the most surreal of these and quite entertaining in parts, although more like a musical than opera (although that is quiet a fuzzy line I guess)
To crank things up to another level following the opera we changed moods and outfits and headed to town for a set by Autechre at the legendary art school club.
Their set while interesting didn’t have the same level of intensity as at Dour, it was more scatty with the connections and feedback from track to track that made that gig so special. They weren’t heped by an indifferent sound system and a crowd that weren’t there just for them. Our lack of energy may have played a part too.
With several more of our favourite acts touring March is already looking like a busy month musically – lo-fi antics from Casiotone for the Painfully Alone, some Australian electro courtesy of the Presets, and perhaps the uber-hip math rock of Foals if we can face the hipster crowd.